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After a phase in which his art dealt mainly with biblical, historical and allegorical subjects, Beckmann painted pictures showing humanity "in extremis", both physical and spiritual. This book analyzes the thematic complexes in Beckmann's visual world and traces the myths of the man and the art.
Max Beckmann (February 12, 1884 – December 27, 1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity (Neue Sachlichkeit), an outgrowth of Expressionism that opposed its introverted emotionalism. [Wiki].