London: Royal Collection Trust, 2013. Hardcover with Dust Jacket.
No Flaws or Blemishes; Gift Quality. 4to, 11 by 11.5 inches; 300 pages with Chapter Notes, Bibliography and Index; with over 300 color illustrations.
Fine Hardcover in a Fine Dust Jacket. A New Giftable Book. Item #15751
Anna Reynolds, curator of paintings at the Royal Collection, has drawn on the art of the period, as well as wardrobe inventories, literary references, contemporary accounts, and surviving garments to offer a fascinating account of the elite fashions of the day and the ways in which they were recreated in paint.
The gold threads seen throughout the forepart of Elizabeth’s gown were costly, while the red dye that colored it came from crushed beetles and would have had to have been imported from Spain. Other works show their subjects with intricate ruffs, bright stockings, or broad farthingales, each item extravagantly adorned.
Indeed, the main focus of Tudor and Stuart clothing was on rich materials that communicated the ability of the wearer to afford them, and, with the rise of the moneyed merchant class, sumptuary laws were established to limit their use to the nobility.
Other forms of attire, including ornate hairdos held in place with wire and pleats that had to be set each time the garment was worn left absolutely no doubt as to the fact that the wearer had an army of servants and a wealth of spare time with which to attend to appearance.